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The Man and the Myth 1
Raghava and His Times 9
Professionalism and Raghava
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actor amateur Andhra artistic Ashabi audience Bangalore Brihannala Chanakya character Chitra Naleeyam contemporary costume critic D. V. Gundappa Dasaratha Desapati Rao Dharmavaram dialogue Doddana Gowda dramatic art dramatist Duryodhana emotions expression Fall of Vijayanagar father female roles H. M. Reddy helped Hiranya Kasipa Ibid idea important interpretation July-August Kabir Kala Mandira Inauguration Kala Prapoorna Bellary Kannada stage king King Lear Kolachalam Kopparapu look Madras Maharashtra Mandira Inauguration Souvenir mythological plays Narasimha Rao Nataka Kala Prapoorna natural Natya Natyakala Othello Pandit Parsi Pathan Pathan Rustum performance portrayal Prahlada Prapoorna Bellary Raghava Prince of Players problems profession raga Raghava Kala Mandira Raghava played Raghava's acting Raghavachari Rajahmundry Rama Ramadas realistic realize rehearsal Sampathgiri Rao Sarojini Savitri scene social society songs South Indian Stage spectators Sthanam Narasimha Rao style Subba Rao Telugu stage Telugu theatre theatre group theatrical tion traditional troupe uncle Venugopalachari verses Vijayawada writing Yama