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Key to Titles
The Superfluous Child
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adaptive aggression Alving anticlimax artist audience Back to Methuselah become Bernard Shaw Brassbound Candida characters comedy comic conflict conventional conversions Creative Evolution defense denial Devil Devil's Disciple Don Juan dream early Ellen Terry energy evolutionary appetite external Fabian family romance fantasy father feel Force Freud genius George Bernard Shaw grandiose guilt Heartbreak House human Ibsen iconoclasm ideal ideas identification impulses instincts Irving Lady Cicely later libidinal libido live Major Barbara male Manders manic marriage married master master of reality means mental moral passion mother narcissism narcissistic never numbers object Octavius oedipal omnipotence oral parents perhaps phallic phase play pleasure psychic Psychoanalytic psychological reality religion repressed rescue sense sexual Shakespeare Shavian Shavian drama Shaw's social society stage structure superego Superman Tanner theater things tion transformed turn vital Vitalist Warren's Profession woman women writing