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Economics or Moral Rights?
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Bertolt Brecht and Critical Theory: Marxism, Modernity, and the Threepenny ...
No preview available - 1997
Adorno Althusser Althusser's analysis argues argument art-work art's artistic asserts audience aura authorial rights authorship Barthes behaviour Bertolt Brecht Beule suit bourgeois Brecht and Benjamin Brecht and Weill Brecht's Marxism Brechtian capitalist characterised cinema cited claim co-determination commodity fetishism conception construed contemporary contract court critical critique cultural dafi dialectic Dialektik discussion Dreigroschenoper economic epic theatre epistemology fact film production film rights film's Grundlage human impact implies Inez Müller intellectual judgement Karl Korsch Koehne Koehne's Korsch Kritik Kunstwerk essay Lania logical empiricism logical empiricist logical positivism Marx Marxismus und Philosophie Marxist theory modern moral rights Muller naive realism Nero Nero's Neurath notion political position positivism positivist praxis Prozefi radical realism reality reference Reichsgericht relations relationship reproducibility revolutionary right of co-determination role Salokannel Schriften screenplay second technology social societal sociological sound film theatre theoretical tion traditional Vorstellungen Weimar Republic Werk