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acceptance action acute aesthetic ambiguity Anna Fierling appetite assertion attempt Azdak Baal Baal's becomes behavior Bertolt Brecht Bloody Five Brecht on Theatre Brecht saw Brechtian Caucasian Chalk Circle celebration child clarify collective compassion compassionate complex concept conflict consciousness consumption critical death defined deny despair destructive discussion drama early plays earth Eilif Ekart emotional energy epic theatre Eric Bentley ethical exists experience exploitation exploration Fierling's function Galileo Galy Gay Garga greed grotesque Grusha guilt hero human feeling I. A. Richards ideal identity implicit individual irrational Jeraiah Jip Johanna John Willett Jungle Kattrin logic Man's Marie Farrar Martin Esslin Marxist Measures Taken metaphor Mother Courage Nature passive playwright poet poetic polemic Pope Urban VIII rational reality realize relationship reprinted by permission response river sacrifice scene sense Seven Plays sexual Shlink social Sokel soldier structure submission suffering tension tion tragic trans vision vitality Woman of Setzuan Young Comrade