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Class Politics in Bewitched
Bewitched and Feminism
1960s telefilm sitcoms academic actor advertising aesthetic African American Agnes Moorehead analysis argues Aunt Clara Bewitched criticism Bewitched episodes Bewitched’s Brockway camera characters client comedy critique culture Darrin Dick Sargent Dick York domestic editor cuts Elizabeth Montgomery Endora engage episode’s episodes of Bewitched everyday television example family sitcom father feminist film Flintstones gender Gladys Kravitz hippie household husband Isabel Jack Jennifer Job Switching Larry Lisa live Love Lucy Lucy’s magic Magnum marriage Married a Witch moon Moorehead mortal NBC’s Newcomb one-camera patriarchal Paul Lynde pilot played plot plotline politics proscenium proscenium shooting quality television queer racial remake Ricky Salem Salem witch trials Sam’s Samantha scene season shot show’s Sisters at Heart sitcom sound effects soundtrack spell Stephenses style surveillance Tabitha techniques television criticism television show television’s textual threat tion two-shot Uncle Arthur viewers warlock witchcraft women