Beyond Jerusalem: Music in the Women's Institute, 1919-1969
Music in the Women's Institute has become stereotyped by the ritualistic singing of Jerusalem at monthly meetings. Indeed, Jerusalem has had an important role within the organization, and provides a valuable means within which to assess the organization's relationship with women's suffrage and the importance of rurality in the Women's Institute's identity. However, this book looks beyond Jerusalem by examining the full range of music making within the organization and locates its significance within a wider historical-cultural context. The Institute's promotion of conducting - a regular part of its musical activity since the 1930s - is discussed within the context of embodying overtly feminist sentiments. Lorna Gibson concludes that a redefinition of the term 'feminism' is needed and the concept of 'gendered spheres' of conducting provides a useful means of understanding the Institute's policy. The organization's promotion of folk song is also examined and reveals the Institute's contribution to the Folk Revival, as well as providing a valuable context within which to understand the National Federation's first music commission, Ralph Vaughan Williams's Folk Songs of the Four Seasons (1950). This work, and the Institute's second commission, Malcolm Williamson's The Brilliant and the Dark (1969), are examined with the context of the organization's music policy. In addition to discussing the background to the works, issues of critical reception are addressed. The book concludes with an Epilogue about the National Society Choir (later known as the Avalon Singers), which tested the organization's commitment to amateur music making. The book is the result of meticulous work undertaken in the archives of the National Federation, the BBC Written Archives Centre, the V&A archives, the Britten-Pears Library, the Ralph Vaughan Williams Library, the Women's Library and the Newspaper Library.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Music Policy and its Implementation in the Womens Institute
Education Empowerment and The Acceptable Face of Feminism
The Changing Roles of Folk Song and Part Song in the Womens Institute
8 other sections not shown
Other editions - View all
adjudicate amateur music-making Antony Hopkins appears April archives area festivals arranged Avalon Singers Brilliant Britain British broadcast Cecil Sharp Chairman choral composer concert conducting Country vol Dancing Dark December Denman College discussed Drama Sub-Committee Education EFDSS Executive Committee Executive Minutes vol February feminism feminist Festival Ad Hoc Folk Songs Grove Dictionary Gustav Holst held Hoc Committee Home and Country Hubert Foss Imogen Holst included Institute's involved Jerusalem July June Lady London Malcolm Williamson MDS-C meeting MFS-C Miss MS-C music activities Music Adviser Music and Drama music commission music policy Music Society Musicians National Federation National Federation's National Federation's music national music events National Society Choir November October Opera Orchestra organization organization's Oxford University Press performance premiere programme promotion published in Home Ralph Vaughan Williams references reported reveals Royal Albert Hall September Singing Festival song book Unsigned Ursula Vaughan Williams village WI member Williams's Williamson wrote