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THE BIOTIC SOURCES OF MODERN SCULPTURE
FORMALISM THE WEARY VOCABULARY
FORM EXHA USTION AND THE RISE
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abstract aesthetic animal anthropomorphic appear Archipenko art form artists attempt automata base Bauhaus became become biological Brancusi Calder century classical color complex concept Constantin Brancusi constructions Constructivist Courtesy create Cubist culture cybernetic designed devices Donald Judd Duchamp early effects electrical electronic engineering environment exhibition existence figures formal function Gabo Gabo's Gallery geometric Georges Vantongerloo Heinz Mack Henry Moore Howard Wise human idea ideal images invention Jean Arp Kinetic Art Kinetic sculpture Kineticism Kineticists machine Marcel Duchamp material mathematical means mechanical mechanistic metal models Modern Art modern sculpture motion moving nature Naum Gabo neon Object sculpture optical organic painting patterns perception philosophy physical plastic present problems produced psychic realized relationships remains result robot Rodin Schoffer scientific scientists sculp seems sense shapes space spatial structure surfaces technical technique Tendency theory three-dimensional tion ture viewer visual vitalism vitalistic York Yves Klein