Bitter Music: Collected Journals, Essays, Introductions, and LibrettosNow in paper for the first time, Bitter Music is a generous volume of writings by one of the twentieth century's great musical iconoclasts. Rejecting the equal temperament and concert traditions that have dominated western music, Harry Partch adopted the pure intervals of just intonation and devised a 43-tone-to-the-octave scale, which in turn forced him into inventing numerous musical instruments. His compositions realize his ideal of a corporeal music that unites music, dance, and theater. Winner of the ASCAP-Deems Taylor Award, Bitter Music includes two journals kept by Partch, one while wandering the West Coast during the Depression and the other while hiking the rugged northern California coastline. It also includes essays and discussions by Partch of his own compositions, as well as librettos and scenarios for six major narrative/dramatic compositions. |
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LibraryThing Review
User Review - librarianbryan - LibraryThingBitter Music music itself gets five stars. If you read between the lines you get one of the most revealing artist bios ever.The other essays fluctuate between two and three stars. Read full review
Contents
PART 2 | 23 |
Patterns of Music 1940 | 159 |
W B Yeats 1941 | 165 |
Show Horses in the Concert Ring 1948 | 174 |
No Barriers 1952 | 181 |
A Somewhat Spoof 1960 | 188 |
A QuarterSaw Section of Motivations | 196 |
Barstow 1941 | 201 |
Oedipus 1954 | 218 |
Plectra and Percussion Dances 1953 | 228 |
A Soul Tormented by Contemporary Music | 239 |
Observations on Water Water 1962 | 247 |
PART 4 | 253 |
Water Water An Intermission with Prologues | 377 |
Sources and Notes | 465 |
481 | |
Other editions - View all
Bitter Music: Collected Journals, Essays, Introductions, and Librettos Harry Partch No preview available - 2000 |
Bitter Music: Collected Journals, Essays, Introductions, and Librettos Harry Partch No preview available - 1991 |
Common terms and phrases
Aldermen American ancient ARTHUR beat become begins bring called camp CHORUS OF EIGHT CLARENCE comes completely composer concept continue CREON dance dark DION DIONYSUS direction enters exit experience face fades feel final five follows four Ghost give hand Harry hear heard HERDSMAN hobo HONOR human idea Indian intone Jazz JOCASTA kind King Kithara Ladies Leaving letter Lights living look March miles move musicians never night OEDIPUS organ Partch pass Pentheus percussion performance PHOEBUS play present PRODUCER rain record road Scene seen singing sounds Source speak stage stand stop talking tell theater things THIRD TIRESIAS tones tumble turn University voice walk Wanda Water Witch woman woo woo Yeats young