Black Artists in British Art: A History since the 1950s

Front Cover
Bloomsbury Publishing, Jul 29, 2014 - Art - 288 pages
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
 

Contents

Some Problems with History and its Treatment of BlackBritish Artists
1
The Pioneering Generation of Caribbean Artists
10
Early Contributions by South Asian Artists
26
The Significance of the 1970s
41
Uzo Egonu and Contemporary African Art in Britain
57
The Earliest BlackBritish Practitioners
74
South Asian Stories
91
The Black Art Generation and the 1980s
105
Sonia Boyce and Other Black Women Artists
140
Substantial Sculpture The work of Sokari Douglas Camp Veronica Ryan and Permindar Kaur
156
Black Artists of the 1990s Generation
167
The Triumphant Triumvirate Yinka Shonibare Chris Ofili and Steve McQueen
184
The New Generation
195
Notes
201
Bibliography
240
Index
265

The Rise and Fall of The BlackArt Gallery
114
The Emergence of Black Women Artists Arguments and Opinions
128

Other editions - View all

Common terms and phrases

About the author (2014)

Eddie Chambers is Associate Professor in the Department of Art and Art History, University of Texas at Austin, USA, where he teaches the art history of the African Diaspora. He gained his Ph.D. from Goldsmith's College, University of London and between 2003 and 2009 he was a Visiting Professor, Art History, at Emory University, Atlanta. Since the early 1980s Eddie Chambers has been organizing and curating artists' exhibitions in Britain and a range of other countries, including the US, Australia and Jamaica.

Bibliographic information