Black Hole

Front Cover
Jonathan Cape, 2005 - Comic books, strips, etc - 352 pages
17 Reviews

And you thought your adolescence was scary.

Suburban Seattle, the mid-1970s. We learn from the outset that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested any number of ways - from the hideously grotesque to the subtle (and concealable) - but once you've got it, that's it. There's no turning back.

As we inhabit the heads of several key characters - some kids who have it, some who don't, some who are about to get it - what unfolds isn't the expected battle to fight the plague, or bring heightened awareness of it, or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high-school alienation itself - the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.

And then the murders start.

As hypnotically beautiful as it is horrifying (and, believe it or not, autobiographical), Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it - back when it wasn't exactly cool to be a hippie any more, but Bowie was still just a little too weird.

To say nothing of sprouting horns and moulting your skin . . .

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Pointless

User Review  - Customer No 24601 - Overstock.com

I had read high praise of this graphic novel so I purchased it to see for myself. I can see how people might interpret it as surreal but thats about it. It tries to be raw edgy etc. but really just ... Read full review

Review: Black Hole

User Review  - Jordan - Goodreads

Charles Burns' “Black Hole” is infectious. His art is a very clean, black and white noir, with nightmarish imagery. Someone smoking a Kool cigarette, because they're supposed to “smoke what you are ... Read full review

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About the author (2005)

Charles Burns grew up in Seattle in the 1970s. His work rose to prominence in Art Spiegelman's Raw magazine in the mid-1980s and took off from there, for an extraordinary range of comics and projects, from Iggy Pop album covers to the latest ad campaign for Altoids. In 1992 he designed the sets for Mark Morris's delightful restaging of The Nutcracker. He's illustrated covers for Time, the New Yorker and the New York Times Sunday Magazine. He is the official cover artist for The Believer magazine. Black Hole received Eisner, Harvey and Ignatz awards in 2005. Burns lives in Philadelphia with his wife and two daughters.

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