Book of Poems (Selection)/Libro de poemas (Selección): A Dual-Language Book

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Courier Corporation, Mar 6, 2012 - Poetry - 176 pages
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The passionate life and violent death of Federico Garcia Lorca (1898–1936) retain an enduring fascination for readers around the world. Murdered by Nationalists at the outset of the Spanish Civil War, Lorca died at the peak of his creative powers. He remains his country's most widely translated writer, surpassed only by Cervantes in terms of critical commentary.
This selection includes 55 of the 68 poems that comprised Lorca's 1921 Libro de poemas, all of them in their entirety and in their original sequence. Imbued with the spirit and folklore of the poet's native Andalusia, these verses feature the most complex spiritual content of any of Lorca's works. Editor Stanley Appelbaum provides sensitive, accurate English translations on the pages facing the original Spanish, as well as an informative introduction to the author's life and oeuvre, plus notes on the individual poems. An outstanding resource for students and teachers of Spanish language and literature, this compilation will enchant any lover of poetry.
 

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About the author (2012)

Garcia Lorca is perhaps the best known of modern Spanish writers, partly because of his brutal execution outside Granada by Franco's army at the beginning of the civil war, but primarily because of his genius for poetry and drama. In 1928 Lorca published Gypsy Ballads, which won him immediate success and is considered one of the most important volumes of poetry of the century. Attracted to the gypsies for their exotic folklore, sexual vitality, and their status as a group on the fringe of Spanish society, Lorca enlarged the gypsy people and their traditions to mythical proportions. Nature takes on human form while reality acquires a dreamlike quality in this powerful transformation of the world into a myth. The verse is colorful, rhythmic, dramatic, symbolic, and suggestive. Lorca visited New York in 1929, experiencing a deep despair about a mechanical and dehumanized society; he saw in blacks the only hope for revitalization of that world. The volume Poet in New York (1929) shows the influence of Negro spirituals and the poets Walt Whitman and T. S. Eliot. Although Garcia Lorca was interested in drama throughout his life, he did not produce much of significance until the 1930s. Most important is his trilogy of Spanish rural life, Blood Wedding (1933), Yerma (1934), and The House of Bernarda Alba (1936), all tragedies with women as protagonists. In each play, the fall of the heroine, and of those around her whom she pulls down, is caused by frustrations produced by society. Blood Wedding demonstrates the sterility of the traditional code of honor. Yerma reveals the emptiness of a traditional marriage in which the woman must bear her husband children to prove her fidelity, and The House of Bernarda Alba dramatizes the destructive nature of Bernarda's dictatorial rule over her house, a microcosm of Spain. The Butterfly's Evil Spell (1919) is Lorca's first play; The Shoemaker's Prodigious Wife (1931) and Don Perlimplin (1931) are farces; The Billy-Club Puppets (1931) is a puppet play.

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