Brahms: Symphony, Issue 1
Brahms's First Symphony has been hailed as Beethoven's Tenth. Its controversial status and relationship in the Beethovenian tradition is considered alongside other important issues in the early reception history of this key work in the symphonic repertory. David Brodbeck begins with an account of the lengthy genesis and complicated background to the writing of the symphony, before providing a thorough critical reading of the work, movement by movement. In particular, Professor Brodbeck reveals a dense web of extra-compositional allusions--references in the music to works by J. S. Bach, Beethoven, Schubert, and Robert Schumann--in which, the author argues, much meaning resides.
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Contexts for the opening Allegro
Symphony by J B?
Completion first performances and publication
Renewal of work and completion of the whole
Structure and meaning in the last movement
Some early reactions
The Tenth Symphony
19th-century Music Adagio Allegretto Allegro alphorn theme Andante Astarte autograph Bach Bach's bass beautiful Beethoven Beethoven's Ninth Beethovenian beginning Brahms's Brahms's allusion Brahms's First Symphony Briefwechsel Bruch chorale chord chromatic motto Clara Schumann clarinet coda composer composer's compositional concert descending tetrachord Dessoff Dietrich echoes Erinnerungen Example fate rhythm finale Fourth Symphony Freudenthema Fritz Simrock Gesellschaft der Musikfreunde half cadence Hamburg head motif idea initial performing version Joachim Johannes Brahms Joseph Joachim Kalbeck Karlsruhe last movement later leading Leipzig letter Litzmann main theme major Manfred Overture Max Kalbeck measure melody middle movements Minor Symphony Musgrave Musik musikalische Neue Zeitschrift Ninth Symphony November oboe October opening Allegro orchestra original ostinato passage Piano Quartet piece Raymond Knapp recently Robert scherzo Schicksalsmotiv Schubert's Schumann-Brahms Briefe score second theme seems significant similar Simrock slow introduction slow movement sonata form Spitta strings tetrachord thematic third movement tonal tonic Vienna violins vols Wagner
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Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in ...
Peter Howard Smith
No preview available - 2005