Bravely fought the queen
First staged in Mumbai in 1991, Bravely Fought the Queen juggles between two spaces – centre stage where an empirical drama removes the mask of hypocrisy from a seemingly ‘normal’ urban household; and a small, rear backdrop from where emerges the raison d’Ítre of each protagonist. The family in focus is that of two brothers, Jiten and Nitin, who run an advertising agency and are married to sisters: Dolly and Alka. Their mother, Baa, moves between the two households, attached more to her memories of the past than to any present reality. Marital friction, sibling rivalry, the traditional tension between mother-in-law and daughters-in-law, the darker moments of business and personal dealings, the play takes us through the entire gamut of emotional experience as it winds to a climactic finish. With its relentless pace, crisp idiom and unflinching insight into the urban milieu, this is a play that confirms Mahesh Dattani’s reputation as India’s most influential playwright.
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Alka crosses Alka enters ALKA laughs Alka stops Alka’s auto autorickshaw Baa s area Baa s room back door Bangalore bedroom bell rings bonsai Bravely Fought brother called campaign client comes Daksha discuss the ball doesn’t Dolly and Alka Dolly enters DOLLY looks dressed drink driver Exits face father Fought the Queen give guess hate haven’t He’s Hello husband I’m sorry I’ve iten itin JITE\I JITEN Jitu Kanhaiya kitchen light goes Lalitha enters Lalitha goes LALITHA looks Lally leave looks at Alka Mahesh Dattani mask moves Naina Devi never nightwear NITI\I NITIN looks NITN Nobody’s okay Pause Pepsi plays Praful pretend rain Revathi She’s sister sits sleep sofa sorry SRIDHAR picks staring stereo suddenly sure talk tawaif tell There’s things thumri told tomorrow tonight Trivedi understood women Wait Who’s wife window