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The Two Classicisms
The Classical Roots of the Mass Culture Debate
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adence Adorno Albert Camus analogy ancient apocalyptic artists barbarians barbarism believes bourgeois bread and circuses Caesar Camus Camus's century Christianity civilization classicist communications contemporary critics crowd decadent movement decay decline and fall democracy democratic destructive Dialectic Dialectic of Enlightenment domination Eliot elites Engels enlightenment essay esthetic faith fascism freedom Freud future gladiatorial Greek Herbert Marcuse high culture Horkheimer human idea ideal ideology illusions imperial individual industrial intellectual Juvenal Kierkegaard leads least liberation Marcuse Marx Marxist mass culture mass media mass society Max Horkheimer McLuhan modern mass moral Morris myth mythology negative classicism Nietzsche Nietzsche's Ortega perhaps philosophy political present progress proletariat psychology rational regression religion religious revolution Roman Empire Rome Ruskin says secular seems social spectacle Spengler suggests T. S. Eliot television Tertullian theory thinks tion totalitarian tragedy tragic University Press utopian values versions of negative William writes York