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INTRODUCTIONPeter Demetz 1
BERT BRECHTSergey Tretiakov 16
FROM THE TESTIMONY OF BERTOLD BRECHT Hearings of
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achieved acting action actor aesthetic distance alienation artistic attitude audience Azdak Baal ballad basic Baumgardt become Berlin Bertolt Brecht bourgeois Brecht's plays Brechtian Caucasian Chalk Circle Chairman character classical comedy Communist Party concept contemporary critical dialectical didactic direct drama effect elements emotional epic theater epoch expression Expressionist fate film Galileo Galy Gay German Grusha Hanns Eisler Hindemith human ideas illusion individual Kattrin language literature Little Organon living Mahagonny Man's Martin Esslin Marxist masses means Measures Taken modern moral Moscow Mother Courage nature never parody performance person Pirandello Piscator Piscator's playwright poems poet poetry political proletarian Puntila question reality revolutionary Roundheads Saint Joan scene sense Shen Te's Shui social socialist realism song Soviet spectator split stage Stripling T. S. Eliot teatro theatrical theory Threepenny Opera tion tradition tragedy tragic translation truth Weill Woman of Setzuan words write wrote