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INTRODUCTIONPeter Demetz v
BERT BRECHTSergey Tretiakov
FROM THE TESTIMONY OF BERTOLD BRECHT Hearings of
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achieve acting action actor aesthetic distance alienation artistic attitude audience Azdak Baal ballad basic Baumgardt become Berlin Bertolt Brecht bourgeois Brecht's plays Brechtian Caucasian Chalk Circle Chairman character classical Cocteau comedy Communist Party concept contemporary critical dialectical didactic direct drama effect elements emotional epic theater epoch experience expression Expressionist fate film Galileo Galy Gay German gesture Grusha Hanns Eisler Hindemith human ideas illusion individual Kattrin language literature living Mahagonny Man's Martin Esslin Marxist masses means Measures Taken modern moral Mother Courage nature never orchestra parody performance person Pirandello Piscator Piscator's playwright poems poet poetry political proletarian Puntila question reality revolutionary Roundheads scene sense Shen Te's Shui situation social socialist realism song Soviet spectator split stage Stripling T. S. Eliot teatro theatrical theory Threepenny Opera tion tradition tragedy tragic translation truth Weill Woman of Setzuan words write wrote