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CHAPTER ONE FROM KILLYCLOGHER TO BALLYBEG
THE SHORT STORIES
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Aran Islands Aristocrats attitudes audience aware background Ballybeg basic becomes Belfast Blind Mice Bloody Sunday Brian Friel Cass McGuire Catholic characters Columba contemporary contrast creative Daniel Corkery Derry dichotomies of place Donegal dramatist Dublin early plays emigration emotional English existence expression fact Faith Healer father fictional Foundry House Frank Freedom Friel's play Friel's stories Gaelic Gar's Glenties Hard House historical Ibid important individual Irish drama Irish language Irish literature Irish writer island Keeney language later plays literary London look Loves of Cass MAIRE Manus Maqill modern mother never North Northern Ireland O'Casey O'Donnell Omagh past perhaps Philadelphia play's political priest question radio radio drama realise reality relationship relevant religious Saucer of Larks Seamus Heaney seems seen sense short stories situation social stage strong suggests symbolic Synge Theatre thematic theme Translations truth Tyrone Tyrone Guthrie village West words Yolland young