British Organ Music of the Twentieth Century
This is the first book-length survey of 20th -century British music for solo organ. Beginning with a discussion of British organ music in the last decades of the Victorian era, the book focuses on the pieces that the composers wrote, their musical style, possible influences on the composition of specific works, and the details of their composition. Arranged in chronological order according to date of birth are detailed studies on important composers that made especially significant contributions to organ music including Parry, Stanford, Healey Willan, Herbert Howells, Percy Whitlock, Francis Jackson, Peter Racine Fricker, Arthur Wills, and Kenneth Leighton. Composers' biographies, the role of organs and organ building developments, influential political and sociological events, and aesthetic aspects of British musical life are also discussed in detail. In the concluding chapter, the author discusses the major phases and achievements of the century and gauges what may lie ahead in the new millennium. A comprehensive Catalog of Works provides titles of works, dates of composition, details of publishers, and the dates of publication. More than 60 music examples, 12 black and white photos, and an up-to-date bibliography are included.
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2nd movement Allegro Andante Bach Bach's Bairstow Baroque bars Basil Harwood Cathedral century Choir Chorale Preludes chromatic Church climax cluster chords coda composer's composition contrapuntal counterpoint dissonant example F sharp Fanfare Fantasia Festival flat Fricker Fugue full organ harmony Harwood Healey Willan Herbert Howells Howells's Hubert Parry hymn tune Improvisations instrument Interludes Jackson Kenneth Leighton left hand Lemare London major manuals Mathias melody minor mood motif notes Novello octave Oecumuse opening orchestral organ composers organ music organ pieces organist ostinato Oxford Parry's Passacaglia passage pedal points Percy Whitlock performance phrases piano plainsong played Postlude preexistent Prelude and Fugue Processional Psalm published Ralph Vaughan Williams Rhapsody rhythmic rhythms right hand Romantic Royal College Scherzo score second movement seventh chords sixteenth-note solo Sonata Song style Symphony syncopated texture theme tion Toccata tonal tones tonic traditional triads Trumpet tuba Variations Vaughan Williams William Mathias work's writing written