Timothy L. Jackson, Paul Hawkshaw
Cambridge University Press, Nov 27, 1997 - Music - 301 pages
This volume contains historical and analytical essays on Anton Bruckner and his music. For the past century the principal concerns of scholars of Bruckner's music have been his personal and musical relationship with Wagner, editorial problems in his scores, his enigmatic personality, and the assessment of his monumental late-nineteenth-century style. The studies in this volume consider these issues in the light of the latest research. Of interest to the lay person will be the discussions of the manner in which politics and special interests have affected the dissemination and perception of Bruckner's music, particularly in Nazi Germany.
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Akademische Alfred Alfred Lorenz analysis anti-Semitic Anton Bruckner Auer Austrian autograph bass Bayreuth Beethoven beginning bifolio Brahms Brahms's Bruckner's music Bruckner's symphonies Brucknerian chorale chord chromatic chromaticism closing zone coda composer composer's compositional Credo critical Deutsche diary diatonic dominant duple edition equal temperament essay example exposition F Minor fifths fiir Finale Fourth Symphony Fromme's German Gesamtausgabe Gollerich Gollerich-Auer Grunsky Haas harmonic hypermeasures Ibid International Bruckner Society leading tone Leopold Nowak Linz Lorenz manuscript middleground Minor Mass motive movement Mozart Musik National Socialist Nazi Ninth Symphony notes Nowak Overture passing tone pitch plate political Professoren prolongation Quartet Regensburg reversed recapitulation reversed sonata form revisions Richard Wagner Robert rotation Schalk Schenker Scherzo Schoenberg Schubert's score second group secondary theme Seventh Symphony Sibelius sonata form structural telos theory third tion tonal tonic tragic Vienna Viennese Violin voice Wagner Wagner-Verein Wagnerian Wiener Wn Mus