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The History of Bunraku
The Texts and the Chanters
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accompaniment appearance arms artistic audience beauty Buddha Buddhist Bunraku performance Bunraku play Bunraku Theatre catskin chanter characters Chest-Splitting of Amida Chikamatsu Chikamatsu Monzaemon Chinese Dampei domestic tragedies Donald Keene dramatic early joruri ebisu-kaki Eiza entertainments example expression famous female puppets gestures Gidayu's girl Hayashi Razan head Heike historical plays human important instrument Japan Japanese puppet joruri texts Kabuki kata kimono Kotsubodayu kugutsu Kyoto later left hand literary Love Suicides male puppets manipulating marionettes master Matsuomaru mechanical dolls Meiji period michiyuki Monjuro move movements musical nagauta narration original Osaka plectrum popularity present principal operator pupil puppet operators puppet performance puppet plays puppet theatre puppet's body puppetry realism recitations repertory roles samisen player scene sekkyo-bushi seventeenth century shrine Sonezaki Shinju spectators stage story strings stylization suggest Suicides at Sonezaki Takemoto Tale in Twelve talents theatrical Toyotake traditions Tsunadayu Twelve Episodes variety Watsuji Tetsuro Yoshitsune