Burlesque and the New Bump-n-grind

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Speck Press, 2004 - Performing Arts - 144 pages
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Though burlesque has survived in the back of our cultural consciousness after being pushed aside by modern stripping in the '50s, the revival that began in the early '90s has finally brought burlesque back to the forefront of popular culture.

Evolving from an underground movement to a nearly mainstream fetish, neo-burlesque embraces a wide variety of modern interpretations all based on the classic bump and grind and “taking it off” with a wink and a smile. From classic tributes to punk rock revisionists, women of all ages, sizes, and backgrounds are rediscovering burlesque and reinventing it. A sense of heightened imagination, empowerment and energy are being delivered to the stage, perhaps even more so than during the historic heyday, the Golden Age of Burlesque.

Slipping behind the scene, Burlesque and the New Bump-n-Grind undresses the issues of feminism, modern popularity, and what exactly draws the unique and varied audience members to the shows. The women—and men!—of burlesque also receive their fleshed-out dues by a categorized peek into the various troupe styles including classical, re-creationists, revivalists, modern, circus, performance art, political, queer, bawdy singers and comics.

Peppered throughout the book are full-color and black-and-white photographs that fully instill the picturesque dance into the reader's mind.

Founder of one of the first neo-burlesque troupes, author Michelle Baldwin (a.k.a, Vivienne Va-Voom) has helped to bring the lost art of burlesque back to the forefront of pop culture. Baldwin has served as the creative director, choreographer, music director, costumer, financial head, and performer for her troupe, “Burlesque As It Was.” Her deep immersion into this art form has provided her with a rare view into the growth and evolution of the revival.

 

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Burlesque and the new bump-n-grind

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After being pushed aside by modern stripping in the 1950s, burlesque is now enjoying a renaissance among bachelorettes, Hollywood actresses and other women seeking a glamorous and sexy form of ... Read full review

Contents

Foreword Dixie Evans ix
Chapter One The History of the Tease 1
47
Chapter Four All Sewn Up
65
Chapter Six The Voyeurs
123
Appendix Troupes Clubs Select Web Sites
138
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About the author (2004)

Founder of one of the first neo-burlesque troupes, author Michelle Baldwin (a.k.a, Vivienne VaVoom) has helped to bring the lost art of burlesque back to the forefront of pop culture. Baldwin has served as the creative director, choreographer, music director, costumer, financial head, and performer for her troupe, "Burlesque As It Was." Her deep immersion into this art form has provided her with a rare view into the growth and evolution of the revival. She has sat on a panel of experts at the Tease-o-rama burlesque convention, and teaches the art of burlesque striptease and costume design to any and all interested souls.

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