Cézanne's Composition: Analysis of His Form with Diagrams and Photographs of His MotifsThis book had its provenance in the late 1920s, when Erle Loran, then a young artist who wanted to fathom the mysteries of CÉzanne's structural form, took up residence in the master's studio in Aix-en-Provence. For several years he lived there and painted, and when he came across familiar motifs in the countryside, he took snapshots of the setting. These photographs assisted Loran in his analysis of CÉzanne's composition and served as the basis for this book, which analyzes over 30 of CÉzanne's paintings. This new edition brings Loran's milestone study up-to-date with a new foreword by art historian Richard Shiff, who places Loran's work into today's art historical context. |
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Contents
Introduction | 1 |
Cézanne as Theorist and Artist | 7 |
An Illustrated Glossary | 17 |
How Cézanne Organized a Picture | 25 |
Cézannes Materials and Method | 35 |
Problems of Perspective | 45 |
PAINTINGS ANALYZED | 51 |
VIII | 55 |
View of LEstaque | 107 |
Provençal Mas near Gardanne | 108 |
Realism and Abstraction | 111 |
Le Pont des Trois Sautets II 2 | 112 |
Trees and Rocks at Bibemus | 113 |
The Quarry at Bibemus | 114 |
In the Forest of the Château Noir | 116 |
Rocks in the Forest of the Château Noir | 118 |
The Sainte Victoire from Bellevue | 58 |
The Problem of Distortion through Tipping Axes | 81 |
Distortion in Drawing | 87 |
Aerial Perspective | 97 |
The Sainte Victoire at Early Morning | 102 |
Portrait of Kahnweiler by Picasso p 103 | 103 |
The Sainte Victoire from Les Lauves | 104 |
LEstaque | 106 |
Further Comparisons | 119 |
The Mill near the Pont des Trois Sautets | 121 |
View of Gardanne I 22 | 122 |
The Sainte Victoire from Bellevue | 124 |
The Sainte Victoire from Beaureceuil I 27 | 127 |
Landscape | 128 |
Conclusion | 131 |
Other editions - View all
Cézanne's Composition: Analysis of His Form, with Diagrams and Photographs ... Erle Loran Limited preview - 1963 |
Cézanne's Composition: Analysis of His Form, with Diagrams and Photographs ... Erle Loran Limited preview - 1963 |
Common terms and phrases
abstract achieved actually analysis appear arrow artist axis background balance becomes building central Cézanne Cézanne's painting character cliffs closed color planes compared completely composition continued contours create dark deep space definite depth developed diagonal Diagram distance distortion drawing dynamic early effect elements entire example explain fact factor Figure flat follow foreground frame give green heavy horizontal illustrated important indicated interesting letter light lines Loran lower marked mass means method modulations motif mountain move movement nature negative objects observed orange organization original outlines overlapping painters parallel particularly perspective photograph picture plane plastic Plate portrait positive present problem relation remain result rock Sainte Victoire seems seen shapes shown side significant spatial strong structure suggested surface tension three-dimensional tion trees turn two-dimensional upper vertical volume wall