Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium, CMMR 2007, Copenhagen, Denmark, August 2007, Revised Papers

Front Cover
Springer Science & Business Media, Jul 17, 2008 - Computers - 508 pages

This book constitutes the thoroughly refereed post-conference proceedings of the 4th International Computer Music Modeling and Retrieval Symposium, CMMR 2007, held in Copenhagen, Denmark, in August 2007 jointly with the International Computer Music Conference 2007, ICMC 2007.

The 33 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics in computer science and engineering areas such as information retrieval, programming, human computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. CMMR 2007 has put special focus on the Sense of Sounds from the synthesis and retrieval point of view. This theme is pluridisciplinary by nature and associates the fields of sound modeling by analysis, synthesis, perception and cognition.

 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Ideas of the Past Speak to the Future
1
Learning Perception Expectations
11
An Application of Temporal Expectancy Models
34
Musicians Outperform Nonmusicians in Speech Imitation
56
Two Linked Studies of Electroacoustic Music Composers
74
The Analysis of TwelveTone Music as a Case Study
98
An EmpiricalStudy of Listener Responses
110
Spatial Attributes Scene Analysis and Auditory Spatial Schemata
125
Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses
276
RuleBased Expressive Modifications of Tempo in Polyphonic Audio Recordings
288
Exploring the Perceptual Relevance of Inherent Variability of Drum Sounds
303
Improving Musical Expressiveness by TimeVarying Brightness Shaping
313
Improvising with a Living Computer
337
A RealTime Genetic Algorithm in HumanRobot Musical Improvisation
351
A Musical Framework with Swarming Robots
360
Emergent Rhythms through Multiagency in MaxMSP
368

Categorization and Acoustic Features
139
Exploring Perceptual Based Timbre Feature for Singer Identification
159
Cognitive Implications of Musical Perception
172
A Metaanalysis of Timbre Perception Using Nonlinear Extensions to CLASCAL
181
RealTime Analysis of Sensory Dissonance
203
Multimodal Design for Enactive Toys
212
Psychoacoustic Manipulation of the SoundInduced Illusory Flash
223
On CrossModal Perception of Musical Tempo and the Speed of Human Movement
235
Responsive Audio Environments in Live Performance
246
Retrieving and Recreating Musical Form
263
Experiencing Audio and Music in a Fully Immersive Environment
380
A NetworkBased Framework for Collaborative Development and Performance of Digital Musical Instruments
401
A Digital Application for Immersive Interaction with Sound Art Archives
426
A Biosignal Toolbox for Composers and Performers
441
FocusPlusContext Audio Interaction Design
453
Designing FPSBased Interfaces for Multiuser Composition Improvisation and Immersive Performance
478
Making Waves with Water EEG and Music
487
Author Index
506
Copyright

Other editions - View all

Common terms and phrases