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TONES FOR READINGS AND PRATERS
CHAPTER II PROTUS MODS
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alternative final analysis anen Anina Antiphons Apel approach the final cadence pattern cadential formulae centonization chant types chants close Chapter characteristics close with Figure common Communion chants conclude conjunct movement conjunctly contain deceptive cadence deuterus chants deuterus mode discussion disjunct example F major fifth Figure 50 Figure 76a final cadences final formulae final patterns four notes frequent cadence frequent pattern given in Figure Gloria Gregorian Chant cadences half-step Hymns illustrate internal cadences Introits Kyrie leading tone Liber Usualls libitum major triad major-minor Mass melody modal mode III mode VIII monophony neumes node notes f-a-c number 50 occurs Offertories Ordinary pattern appears perfect fifth pitches polyphonic music preceded present protus mode Psalm Tones rare reciting tone regular final Responsories Sanctus sane Sequences skip standard phrases subfinal T.P. Alleluia L.U. tetrardus cadences tetrardus mode three chants tonalite torculus tritus chants tritus mode trltus unusual varied