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Camp and the Gay Sensibility
The Loneliness of Camp
Walt Whitman Camping
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aesthetic American argues artist audience Barthes's becomes behavior bourgeois camp's campy carnivalesque characters context critical desire discourse dominant drag queen Dusty Springfield Dusty's erotic essay fantasy female impersonators feminine feminist film gay and lesbian gay male gay sensibility gender girl Girl Called Dusty Go On Lip-Synching heterosexual Hollywood homophobia homosexual humor identified identity ideology incongruous intellectual irony jazz Jonathan Judith Butler kitsch lesbian liberation Lip-Synching Lisbon Traviata literary London Lypsinka Mae West Marcel masculine masquerade means Mendy moral natural Notes on Camp novels opera parody performance personality play political Press production Proust punk queer readers representation Roland Barthes role Ronald Firbank sense serious sexual social society spectator star straight strategy style subculture Susan Sontag taste theater theatrical thing tion tradition transgressive University Valmouth voice West's Whitman Wilde Wilde's woman women writing York