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Fernand Leger i
The Novel as Knowledge
On Story and Subject
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accept aesthetician allow artist beauty become begin body brain Braque CARDINALS & SAINTS Cezanne child confusion crea created creation creative act creator Degas Democracy Descartes discovery Dylan Thomas emotions energy entertainment essence event exist expressed fact feeling Fernand Leger field finally force French Revolution function Galileo Giotto grow human ical idea intellect intelligence invent kind knowledge language Latin Leger literature live look lust marriage mass master Matisse means ment metier Middle Ages mind modern Mondrian narrative Nature never novel º º obscure one's Origin of Species ourselves painter painting perhaps person Picasso poetry prose purpose reader realism reality rentier Science seek sense sensory experience sentence Shakespeare simply spirit St.-John Perse story style tell things thought thru tion tive tool true truth trying Utrillo Whitman words words of knowledge writing