Carnal Rhetoric: Milton’s Iconoclasm and the Poetics of Desire
In recent years, New Historicists have situated the iconoclasm of Milton’s poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton’s works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.
Cable traces the development of Milton’s iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton’s engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world.
An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language.
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Metaphor and Meaning Toward a Theory of Creative Iconoclasm
The Rhetorical Agon of Miltons Antiprelatical Tracts
Was she thy God? The Coupling Rhetoric of the Divorce Tracts
The image of God in the eye Areopagiticas Truth
Unimprisonable utterance Imagination and the Attack on Eikon Basilike
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activity actually aesthetic affective language antiprelatical tracts Areopagitica argu artistic Basilike's becomes bishops carnal rhetoric claims cognitive concept conceptual peace conviction coupling creative iconoclasm critical Discipline of Divorce discourse divine divorce tracts Doctrine and Discipline dualistic Eikon Basilike Eikonoklastes empyreal English Reformation faith feelings flesh fleshly hath heroic historical human icon icono iconoclastic iconoclastic act iconoclastic theory iconological idea idol idolatry imagery imaginative impetus impulse individual interpretive John Milton king king's linguistic literary experience Loewenstein marriage martyrdom martyrs meaning ment Mill's Milton's Prose Milton's rhetorical monistic moral Nazarite ontological Paradise Paradise Lost Paradise Regained passage Paul Ricoeur peace and rest perfect freedom Philistine poetic poetry polemical political prayer prelates progressivism radical reader reading realm reason reference reified religious response Ricoeur's Samson Agonistes semantic sensory sexual spiritual Stambovsky Stanley Fish temporal things thou tion tive transformative desire truth University Press verbal vision visual words