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AMEO Amorini ancient Antique glass paste antique paste arabesque artist bearded beautiful blue glass bowl bronze brown sard Bust cabochon cacholong Cameo cartouche centre cinque-cento Circa circular colours cornelian Cupid decorated Deruta ware Diam enamel engraving enriched Etruscan executed exquisite Faenza filet FINGER RING fragment glaze gold Greek grisaille ground Gubbio hand head Height Hercules Hertz Hertz Collection holding Impronte inscribed inscription Intaglio Intaglio—cornelian Intaglio—sard Italian jasper jewels lady laticinio Length lower lustre Majolica margin Mary of Burgundy mask medallion miniature on card moulded neck nude onyx of three Oriental onyx ornament Oval miniature painted pale onyx palmette patera period piece PLAQUE porcelain portrait probably red sard Reverse ring Roman sardonyx sardonyx of three scarabeus scroll seated seventeenth century shield sixteenth century specimen splendid standing stem stone strata striated border style surrounded TAZZA three strata thyrsus tinted transparent vase vellum ware whilst white strata width wings wreath YOUNG HERCULES
Page 150 - UPID, holding a bow and arrow in his left hand, and in his right a butterfly. Intaglio — fard. Height, ^ in. ; width, 5/i6ths. No. 593 FOOT, covered with a winged fandal ; alfo a caduceus. Intaglio — fard. Width, 7/i6ths; height, | in. No. 5 94 (a).
Page 29 - The glaze is applied generally by immerfion — i..er the fubftances compofing it being reduced to a fine powder, and mixed with water to the confiftence of cream, the piece to be covered is dipped into this liquid contained in a large vefleL The porous nature of the bifcuit ware fpeedily caufes the...