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Aesthetics and practices in indigenous choral styles
Meanings and messages in musical arts Minette Mans
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Abaluhya activities aesthetic African music Agawu arts in Africa audience Botswana calabash called chapter choral music choral styles church classical drumming classroom compositions concept contemporary context creative curriculum dancers drum music ensemble Ethnomusicology Euba experience finger function genre Igbo musical indigenous choral indigenous knowledge indigenous musical Journal Kenya learners Maseno University meaning melody membrane drum messages modern music and dance music education music teacher music therapy music-making musical arts education musical bow musical culture musical instruments musicians Mwana Namibia Nigeria Nketia notation Nzewi Olando organised orutu orutu music participants PASMAE patients philosophy pitch player playing technique practice programme pupils resonator response rhythm rhythmic role school band segaba Shona skills skin social society solo song text sound South Africa story string Swahili taarab Tanzania teaching music theory tone traditional music uhadi University of Pretoria workshop yananga Yoruba