Centuries’ Ends, Narrative MeansThis pathbreaking work uses the approaching conclusion of the second millennium as a context for discussing questions concerning temporal division and narrative continuity. It investigates assumptions about teleology and eschatology while exploring the ways in which temporal division affects the creation and production of cultural texts and, reciprocally, the ways in which narrative techniques, forms, and conventions shape, explain, and justify history. Through this exploration, the volume examines how temporal thresholds tend simultaneously to reinforce and to disrupt conceptual boundaries. The sixteen essays use the significance typically invested in historical junctures marked by a centenary advance to investigate perceived paradigm shifts and the consequent reactions to these implicit and explicit transitions. By doing so, they also seek to illuminate the relations between narrative and history, and to enhance understanding of our present historical moment. |
Contents
PARTI Stories of History and Narrative | 13 |
Historical and Ideological | 58 |
Being Done with Narrative by Cubism and André Malraux | 79 |
Trahernes Centuries | 89 |
Turners Frontier Thesis as a Narrative | 117 |
Rogue Nationalism | 138 |
the U S Border | 160 |
Fin de Siècle Fates Mournings | 169 |
Whats Awkward About The Awkward Age? | 212 |
Gender and Desire in History | 223 |
Hamlet The Revengers Tragedy | 238 |
Once Upon a Time Not Long Ago O | 261 |
Posthuman Narratives | 276 |
Fin de Siècle and the Technological Sublime | 302 |
Notes | 319 |
Index | 379 |
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Common terms and phrases
aesthetic American appear argues become beginning Black body called century character chess claims common concept continuity course critical cultural death degeneration described discourse effect Elizabethan England English essay example experience expression fact figure frontier gender given human ideological imagination individual institutions James John kind language literary literature living logic London male marked meaning mind misogyny mourning move narration narrative nature notes notion object organic origins particular past philosophy play political position possible practices present problem produced progress queen question race reading reality refer relation represent representation rogue rules seems sense sexual social space specific story structure studies suggests symbolic theory things Thomas thought tion Traherne turn Turner United University University Press White writing York