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admirable appeared Arnauld Balzac Barbe Beuve Beuve's Boulogne Brunetiere Catholic Causeries du Lundi Cenacle character CHARLES-AUGUSTIN SAINTE-BEUVE Chateaubriand Christian Church course critic declared Delorme desire Dubois eighteenth century essays faith favour felt France French literature George Sand Globe Guizot habit heart honour Hugo's human ideal ideas imagination instinct intellectual interest Jansenists Joseph Delorme judge judgment Juste Olivier Lamartine Lamennais Lausanne legitimist less letters literary lived Louis ment mind Montaigne moral mother nature never opinion Paris Pascal passion perhaps persons philosophy poems poet poetical poetry political Port-Royal Port-Royal des Champs Portraits possessed praise printed realised regard religion religious remarks Renan Revolution Revue Romantic Romanticism Saint-Cyran Saint-Simon Saint-Simonists Sainte Sainte-Beuve sense sentiment social society soul spirit style taste theory thought tion ultramontane verse Victor Victor Hugo Voltaire volume write written wrote
Page 343 - I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side; By our own spirits are we deified: We Poets in our youth begin in gladness; But thereof come in the end despondency and madness.
Page 31 - And vice sometime s by action dignified. Within the infant rind of this small flower Poison hath residence, and medicine power: For this, being smelt, with that part cheers each part, Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.
Page 335 - ... pure spirit. Until you have asked yourself a certain number of questions about an author, and answered them, though only to yourself and under your breath, you are not sure that you have him wholly, though those questions may seem most foreign to the nature of his writings: What did he think about religion ? How was he affected by the spectacle of nature ? How did he bear himself in regard to women, and to money ? Was he rich ? Was he poor ? What was his regimen, his daily habit of life ? And...
Page 92 - is the art of presenting to people the literary works which, in the actual state of their habits and beliefs, are capable of giving them the greatest possible pleasure; classicism, on the contrary, of presenting them with that which gave the greatest possible pleasure to their grandfathers.
Page 224 - I will not here speculate, however, about my own feelings. Only this I know full well now, and did not know then, that the Catholic Church allows no image of. any sort, material or immaterial, no dogmatic symbol, no rite, no sacrament, no Saint, not even the Blessed...
Page 347 - It has given me very great pleasure. I keep it to show to you and Fan. The poem is really beautifully translated, and what Sainte Beuve says of me is /charmingly said. I value his praise both in itself, and because it carries one's name through the literary circles of Europe in a way that no English praise can carry it. But, apart from that, to any one but a glutton of praise the whole value of it lies in the mode in ' which it is administered ; and this is administered by the first of living critics,...
Page 223 - The objections which Pascal is engaged with are not only not those of his age, they are not such as could ever become general in any age. They are those of the higher reason, and the replies are from the same inspiration. Pascal's view of human depravity seems to the ordinary man but the despair and delirium of the self-tormenting ascetic. The cynical view of our fallen nature, however, is at least a possible view. It is well that it should be explored, and it will always have its prophets, Calvin...
Page 250 - He who had it most at heart to know his object, whose ambition was most engaged in seizing it, whose pride was most alert to paint it— how powerless he feels, and how far beneath his task, on the day when, seeing it almost finished and the result obtained, he feels his exaltation sink, feels himself overcome by faintness and inevitable disgust, and perceives in his turn that he too is only a fleeting illusion in the midst of the infinite illusory flux!
Page 105 - I am," he says in one of those " fensfas" to which we have alluded, " I am thoroughly broken in to metamorphoses. I began frankly and bluntly with the most extreme form of the eighteenth century, with Tracy, Daunou, Lamarck, and physiology : that is my real foundation. Thence I passed through the doctrinary and psychological school of the Globe, but making my reservations and without giving it my adherence. Thence I passed to romanticism in poetry, * Portrait* of Celebrated Women.
Page 2 - Member of the French Academy, author of A Manual of the History of French Literature, etc. In preparation FRANCOIS RABELAIS. By ARTHUR TILLEY, MA, Fellow and Lecturer of King's College, Cambridge, author of The Literature of the French Renaissance, etc. GEORGE SAND. By WILLIAM P. TRENT, LL.D., Professor in Columbia University, author of A History of American Literature, etc. Other volumes to follow.