Charlotte Perkins Gilman: A Nonfiction Reader
Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university. For some in the academy, deconstruction, and Jacques Derrida in particular, are responsible for the demise of accountability in the study of literature.
Countering these facile dismissals of Derrida and deconstruction, Herman Rapaport explores the incoherence that has plagued critical theory since the 1960s and the resulting legitimacy crisis in the humanities. Against the backdrop of a rich, informed discussion of Derrida's writings -- and how they have been misconstrued by critics and admirers alike -- The Theory Mess investigates the vicissitudes of Anglo-American criticism over the past thirty years and proposes some possibilities for reform.
What people are saying - Write a review
Charlotte Perkins Gilman: a nonfiction readerUser Review - Not Available - Book Verdict
Although best known for her fictional works, especially "The Yellow Wallpaper'' (1892) and Herland (1915), Gilman (1860-1935) wrote numerous nonfictional works reflecting stunningly clear and ... Read full review