María Herrera-Sobek, Helena María Viramontes
Third Woman Press, 1995 - Literary Criticism - 312 pages
Fiction. Since 1982 Maria Herrera-Sobek and Helena Maria Viramontes have been instrumental in bringing together the most salient artists, filmmakers, poets, novelists, as well as literary and film critics in the field of Chicana Studies at the University of California at Irvine. The present volume weaves together, through original work and critique, the cultural production of some of the most important Chicana writers and filmmakers of our time.
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aesthetic American Ana Castillo Anzaldua Arden authority Borderlands cantina Cherrie Moraga Chicana critic Chicana feminism Chicana film Chicana poet Chicana writers Chicano Movement Chingon cinema Clemencia creative critique cultural difference discourse dominant dream ethnic experience Faultline female feminist gender Helena Maria Viramontes identity Kingston language lesbian letter three linguistic litde literary literature living look Lorna Dee Cervantes Lourdes Portillo male Malinche Malthus Mama Maria Marry a Mexican Mary Lou metaphor Mexican Mexico Mixquiahuala Letters mother myth narrative Never Marry Norma Alarcon novel Ortiz Taylor Papa patriarchal poem poetic persona poetic voice poetry politics Portillo position postmodern postmodernist Rayuela reader relationship Restless Serpents Sandra Cisneros sexual silence Silva social space Spanish speak story strategy street tell Teresa and Alicia Third World tion traditional Vigil's Woman Hollering Creek women of color words writing young girl Zamora
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