Chopin: The Four Ballades

Front Cover
Cambridge University Press, Oct 30, 1992 - Music - 104 pages
1 Review
Chopin's four ballades are widely regarded as being amongst the most significant extended works for solo piano of the nineteenth century. In an illuminating discussion, Jim Samson combines history and analysis to provide the reader with a comprehensive picture of these popular piano works. He begins by investigating the social and musical background to Chopin's unique style. He describes the manuscript sources and evaluates the many subsequent printed editions, then considers the critical reception of the ballades and the differing interpretations of well-known nineteenth- and twentieth-century pianists. The final two chapters examine the music of all four works analytically. There is a clearly presented formal synopsis of each ballade in turn, followed by a discussion of the works collectively which explores Chopin's own conception of the title 'ballade' and how it may be understood as a musical genre.
 

What people are saying - Write a review

User Review - Flag as inappropriate

Concise, scholarly and easy to read.

Contents

Genesis and reception
20
Form and design
45
Genre
69
Notes
88
Index
101
Copyright

Other editions - View all

Common terms and phrases

About the author (1992)

Jim Samson has been a Professor of Music at the Universities of Exeter and Bristol and is now Professor of Music at Royal Holloway, University of London. He has published widely on the music of Chopin and on analytical and aesthetic topics in nineteenth- and twentieth-century music and has recently edited the Cambridge History of Nineteenth-Century Music. He is a Fellow of the British Academy and holds the Order of Merit of the Polish Ministry of Culture.

Bibliographic information