Chora 2: Intervals in the Philosophy of Architecture
Alberto P?rez-G?mez, Stephen Parcell
McGill-Queen's Press - MQUP, Sep 19, 1996 - Architecture - 336 pages
Karsten Harries provides a new and long-overdue reading of Martin Heidegger's well-known essay "Building Dwelling Thinking." Donald Kunze and Stephen Parcell consider possibilities of meaningful architectural space for a visual culture, continuing themes they addressed in Chora 1. Further reflections on the spaces of literature, cinema, and architecture include an interview with French writer and film maker Alain Robbe-Grillet and articles by Dagmar Motycka Weston on the surrealist city, Tracey Eve Winton on the museum as a paradigmatic modern building, and Terrance Galvin on spiritual space in the works of Jean Cocteau. Jean-Pierre Chupin and Bram Ratner explore historical themes in their essays on French Renaissance architect Philibert de l'Orme and the Jewish myth of the Golem. Gregory Caicco addresses ethical questions in his essay on the Greek agora and the death of Socrates, as does Lily Chi in her meditation on the critical issue of use in architectural works. A concern with architectural representation and generative strategies for the making of architecture is present throughout, especially in the essay by Joanna Merwood on the provocative House by British artist Rachel Whiteread.
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The Destination of Buildings Revisited
Philibert de lOrmes Imagery as a Case of Analogical Edification
Reflections on the Architecture of the Amalgam
5 Lessons of a Dream
SeaFood and Vampires
A Probe into Negative Space where Mysteries are Created
The NonPerspectival Space of the Lived City
9 The Metaphoric Architecture of the Diorama
10 The Legend of the Golem
A Dialogue with Alain RobbeGrillet
12 When the Old Mirror is not yet Polished What Would You Say of it?
About the Authors
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Agora Akeley Alberto Perez-Gomez alchemical analogous anamorphosis ancient angel animals archetypal architect architecture artists become Black Forest body Boullée Breton building built camera Carl Akeley centre century Chora Cocteau created creation creator culture death described diorama divine dream dwelling earth elements embodied example experience expression film folio geometric Golem legend Golem of Prague Greek Heidegger Heidegger’s Hermes human Ibid imagination invention jean Cocteau l’Orme l’Orme’s labyrinth Le Corbusier Marco Frascari meaning metaphor metonymy mirror modern museum Nadia Nadja Natural History notion novel object one’s original painting Paris Philibert philosophy photograph poetic Prague Rabbi Loew Rabbi Zeira Rabelais reality realm reference Reﬂections representation revealed ritual role ruins sacred sacrifice Sefer Yetzirah sense situations Socrates soul space spatial Stephen Parcell stereotomy surrealist symbolic Taxidermy tecture temporal theme theory things tion tradition trans transformed understanding University Press wall window word writes York