Choral Composition: A Handbook for Composers, Arrangers, Conductors, and SingersThis comprehensive handbook details the fundamentals and forms of choral composition and expands upon the coverage and number of topics in Archibald T. Davison's 1945 classic text "Choral Composition." Historical trends in choral composition are traced with a special emphasis on the profusion of changes that occurred throughout the twentieth century, particularly since 1950. Early chapters focus on characteristics of voice, notation, text, devices, part writing, "a cappella" and instrumental accompaniments, and choral forms. Hines goes on to analyze the utilization of soloists and choruses with instrumental chamber ensembles, orchestra, and the role of the chorus in opera, operetta, musicals, and music theater. A final chapter addresses practical concerns: music publication and how the artist can function effectively in that world. |
What people are saying - Write a review
Contents
Introduction | 1 |
Choral Notation | 17 |
2b C and Fclefs | 21 |
Text and Textual Devices | 35 |
Choral Composition Devices | 63 |
6a Changes within simple meters | 70 |
15a Ascending steps Persichetti Celebrations | 83 |
Choral Part Writing Voicings Accompaniments and Forms | 95 |
3b Fourpart chorus version Bach Now Thank We All Our God | 129 |
Soloists with Chorus | 159 |
Keyboard Instruments and Instrumental Ensembles with Chorus | 187 |
Orchestra with Chorus and Soloists | 205 |
Opera Operetta Musical Comedy and | 229 |
Publication | 255 |
Bibliography | 265 |
Index | 271 |
Types of Choruses | 125 |
Copyright | |