T. Ott plunges into the darkness with five new graphic horror novelettes: "The Prophet," "The Wonder Pill," "La Lucha," "The Hotel," and the title story, each executed in his hallucinatory and hyper-detailed scratchboard style and running between 16 to 20 pages.The first story in the book introduces the other four: A little girl visits an amusement park. She looks fascinated, but finds everything too expensive. Finally, behind the rollercoaster she eyeballs a small booth with "CINEMA PANOPTICUM" written on it. Inside there are boxes with screens. Every box contains a movie; the title of each appears on each screen. Each costs only a dime, so the price is right for the little girl. She puts her money in the first box: "The Prophet" begins. In the film, a vagrant foresees the end of the world and tries to warn people, but nobody believes him. They will soon enough.In the second film, "The Wonderpill," a short-sighted man initially goes blind from some pills his doctor gave him, but soon the blindness wears off and he finds they accord quite a view. "La Lucha," the third story, introduces a Mexican wrestler who fights against death himself. In a typical Ott twist, he wins and loses at the same time. The final story, "The Hotel," depicts a traveler who goes to sleep in what seems to be an otherwise empty hotel. His awakening is the stuff of nightmares...Ott's O. Henry-esque plot twists will delight fans of classic horror like The Twilight Zone and Tales From the Crypt , or modern efforts like M. Night Shamalayan's films; his artwork will haunt you long after you've put the book down.
What people are saying - Write a review
LibraryThing ReviewUser Review - SmithSJ01 - LibraryThing
I read this through once to have it as a story and I read it a second time to look at the art work in closer detail. It is tremendous. I had words for many of the scenes and I actually changed them ... Read full review
Cinema PanopticumUser Review - Not Available - Book Verdict
Comics are popularly defined as a combination of words and pictures, but words are no more necessary to the comics than sound is to cinema. Swiss cartoonist Ott employs neither dialogue nor captions ... Read full review