Claims for Poetry

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University of Michigan Press, 1982 - Literary Criticism - 498 pages
A collection of essays by contemporary American poets on the subject of their art
 

Contents

A Poem Is a Walk
1
The Impure Every Time
9
Damage
13
A Wrong Turning in American Poetry
17
What the Image Can Do
38
The Question of Poetic Form
50
Notes on Artists and Poets 195065
62
To Define
72
AvantGarde
238
An Admonition
250
Origins of a Poem
254
On the Function of the Line
265
On Poets and Poetry Today
273
Poems Are Not Luxuries
282
Language Power and Dream
286
Poetry Chance Silence Etc
296

A Note
73
A Note on the Local
74
Statement for Paterson Society
75
Poems Are a Complex
76
Ideas of the Meaning of Form
78
Some Subjective Ideas or Notions on the Care and Feeding of Prose Poems
95
The Poem as Time Machine
104
The Poetry of SelfDefinition
117
The Hole in the Bucket
131
The Psychic Origins of Poetic Form 1973
141
Some Notes on Form
151
Seen Heard and Understood
165
Towards an Allusive Referential
170
Uncommonplaces
178
Assumptions
186
An Impressionistic Essay
192
Meters and Memory
196
FencedIn Fields
203
Sound Poetry
213
Poetry Personality and Death
219
On Open Form
303
A Manifesto
306
Contemporary American Womens Poetry
309
Three Poems
328
Poetry and the World
331
Writing as ReVision
345
On the Nature of Poetry
362
The New Sentence
377
Negative Capability and Its Children
399
Reflections on Narrative Poetry
407
Tact and the Poets Force
417
Poetry and the Primitive Notes on Poetry as an Ecological Survival Technique
434
The Yogin and the Philosopher
446
A Way of Writing
450
Notes on the Craft of Poetry
453
In Search of Our Mothers Gardens
459
Poetry and Happiness
469
Notes on Contributors
491
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About the author (1982)

Donald Andrew Hall Jr. was born in New Haven, Connecticut on September 20, 1928. He received a bachelor's degree from Harvard University in 1951. His first collection of poetry, Exiles and Marriages, was published in 1955. His other collections included Without, The Museum of Clear Ideas, and The Painted Bed. He received several awards including the National Book Critics Circle Award for The One Day, the Lenore Marshall Poetry Prize for The Happy Man, the Poetry Society of America's Robert Frost Silver medal, and the Ruth Lilly Prize for poetry. He served as poetry editor of The Paris Review from 1953 to 1962 and was the United States poet laureate for 2006-2007. He was also a memoirist, an essayist, and the author of textbooks and children's books. His memoirs were entitled Life Work and Unpacking the Boxes. His children's book, Ox-Cart Man illustrated by Barbara Cooney, won the Caldecott Medal. He received a National Medal of Arts in 2011. He died on June 23, 2018 at the age of 89.

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