Clairvoyance (For Those In The Desert): Performance Pieces, 1979–2004

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Duke University Press, Mar 13, 2008 - Art - 371 pages
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The performance artist Joanna Frueh has emerged over the past twenty-five years as a wildly original voice in feminist art. Her uninhibited performances are celebrations of beauty, sensuality, eroticism, and pleasure. Clairvoyance (For Those In The Desert), which features eighteen of her essential performance texts, is a celebration of this remarkable artist and her work. Arranged chronologically, from The Concupiscent Critic (1979) through Ambrosia (2004), the pieces reveal Frueh’s evolution as an artist and intellectual over the course of her career. Many of these texts have never before been published; others have not been readily available until now. Among the sixteen color photographs in this richly illustrated book are pictures of Frueh performing and images from Joanna in the Desert, a 2006 collaboration between Frueh and the artist and scholar Jill O’Bryan.

Frueh’s performances are unabashedly autobiographical, as likely to reflect her scholarship as a feminist art historian as her love affairs or childhood memories. For Frueh, eros and self-love are part of a revolutionary feminist strategy; her work exemplifies the physicality and embrace of pleasure that she finds wanting in contemporary feminist theory. Scholarly and rigorous yet playful in tone, her performances are joyful, filled with eroticism, flowers, sexy costumes, and beautiful colors, textures, and scents. Recurring themes include Frueh’s passionate attachment to the desert landscape and the idea of transformation: a continual reaching for clarity of thought and feeling.
In an afterword as lyrical and breathless as her performance pieces, Frueh explores her identification with the desert and its influence on her art. Clairvoyance (For Those In The Desert) includes a detailed chronology of Frueh’s performances.

 

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Contents

THE CONCUPISCENT CRITIC 1979
51
BRUMAS 1982
57
JUSTIFIABLE ANGER 198283
76
DUAL CONCEPTION 1983
93
SOLAR SHORES 1984
108
A FEW EROTIC FACULTIES 198586
121
CLAIRVOYANCE 198586
152
BREATHlNG 1988
168
PYTHIA 1994
225
1997
251
SADE MY SWEET MY TRUFFLE OR GIVING A FUCK 1999
278
VOYAGING TO CYTHERA 2003
312
THE PERFORMANCE OF PINK 2003
319
AMBROSIA 2004
326
SHAKlNG OUT THE DEAD
337
JOANNA FRUEH PERFORMANCE CHRONOLOGY 19792005
353

VERMILION 1988
169
MOUTH PIECE 1989
180
AMAZING GRACE 1990
209
Key Readings From Joanna Fruehs Childhood to the Present
363
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About the author (2008)

Joanna Frueh is a performance artist, writer, scholar, and teacher. For more than twenty-five years, she has performed one-woman shows throughout the United States and abroad. She is Professor of the Practice of Art at the University of Arizona and Professor of Art History Emerita at the University of Nevada, Reno. She is the author of Swooning Beauty: A Memoir of Pleasure; Monster/Beauty: Building the Body of Love; Erotic Faculties; and Hannah Wilke: A Retrospective. She is a coeditor of Picturing the Modern Amazon; New Feminist Criticism: Art, Identity, Action; and Feminist Art Criticism: An Anthology. Her art, essays, and criticism have appeared in many publications, including Art Journal, New Art Examiner, Art in America, Artforum, Hypatia, and High Performance. Frueh lives in Tucson, Arizona.

Jill O'Bryan is an independent scholar and artist. She is the author of Carnal Art: Orlan's Refacing.

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