Clarinet Secrets: 52 Performance Strategies for the Advanced Clarinetist

Front Cover
Bloomsbury Publishing PLC, 2004 - Juvenile Nonfiction - 127 pages

Written for advanced clarinetists aspiring to master their instrument and attain a higher level of artistry, Clarinet Secrets contains concepts that have been repeatedly and successfully used with students over a period of 20 years of teaching. Each strategy is explained on two facing pages with accompanying graphics, photos, and musical examples.

The advanced clarinetist who is eager to improve quickly often hits a wall on challenging techniques such as rapid tonguing and the precise control of intonation. These difficult techniques and concepts are discussed right away to assuage the anxiety students usually feel when first presented with these issues.

Techniques covered include:
·Fingering
·Memorization
·Practice strategies
·Tonal control
·Musicianship
·Using the right equipment
·Non-traditional repertoire
·Career-planning exercises

 

Contents

The RocketSpeed Tonguing Exercise
2
The OneMotion Tonguing Exercise
4
The EnergySaving Tonguing Exercise
6
The FingerTongue Coordination Exercise
8
Effortless Staccato across All Registers
10
The Relaxed Jaw Exercise
12
The Light Tongue Exercise
14
The Ping Exercise
16
Tone Strategies
63
Hearing Harmonics
64
The Stereo Effect
66
Tone Shopping
68
The Bodys Resonance Cage and BreathingPart 1 Inhaling
70
The Bodys Resonance Cage and BreathingPart 2 Exhaling
72
Practice Tone vs Concert Tone
74
Dissecting Tone
76

The Articulation Vocabulary Exercise
18
Intonation Strategies
21
The Drone Exercise Part 1 Hearing Intervals and UnderAttacking Notes
22
The Drone Exercise Part 2 Hearing Difference Tones and Tuning with the Piano
24
Using Fingers to Modify Intonation
26
The Chin Exercise
28
Training Wheel for Lowering the Pitch
30
Voicing the Throat Tones
32
Technical Strategies
35
Natural Finger Motion
36
Ravels Daphnis et Chloé with a Little Help
38
The Left Index Finger Exercise
40
The HalfHole Exercise for Wide Intervals
42
Perfecting the Chromatic Scale
44
Perfecting the High Register
46
The Little Finger Exercise
48
Developing Technical Independence
50
SightReading Rhythm
52
SightReading Notes
54
Predicting Mental Concentration
56
Unusual Transpositions in Orchestral Excerpts
58
Working with a Practice Partner
60
Printing Sound into Memory
78
Stabilizing the c³ Fingering
80
Musicianship Strategies
83
Remembering Nature
84
Composing Lyrics
86
Reeds and Equipment
89
ExpressSpeed Reed Balancing
90
Installing an Instant NeckStrap Ring
92
Equipment Pouch
94
Enhancing Repertoire
97
Glissando Portamento
98
Vibrato
100
Double Tonguing
102
Circular Breathing
104
Special Sound Effects
106
Klezmer Repertoire
108
Klezmer Technique
110
Klezmer Ornamentation
112
Technology and Electronic Music
114
LastMinute Secrets
116
CD Contents
119
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About the author (2004)

Michèle Gingras, Professor of Clarinet at Miami University in Ohio, is an active recitalist, author, and recording artist. She has performed as a soloist and as a member of the Miami Wind Quintet in Canada, Australia, Venezuela, Taiwan, Singapore, and throughout the U.S. and Europe. Previously, she was Principal Solo Clarinetist with the Santiago Philharmonic Orchestra (Chile). She has recorded seven CDs-four of them as a solo artist-and has published widely. Her publications include over 75 articles in The Clarinet and other international music journals, as well as a 550-page textbook translation (Roncorp) and a musical arrangement (Presser). She is past Secretary of the International Clarinet Association (ICA) and was named Hays Crossen Curry Distinguished Educator at Miami University in 2002. She also performs as a klezmer musician throughout the U.S. and abroad. She has a been a Visiting Artist at the Luxembourg Conservatory, the Oslo Music Academy (Norway), the Elder Conservatorium (Australia), the Simón Boliver Conservatory (Venezuela) and Indiana University. She is sponsored by Rico International.

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