Classic, Romantic, and Modern

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University of Chicago Press, 1961 - History - 255 pages
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Drawing from the works of influential figures in art and literature, the author traces the development of romanticism from classicism and the emergence of the modern ego.
 

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Contents

RomanticismDead or Alive?
1
Rousseau and Modern Tyranny
18
The Classic Objection
36
Romantic Art
58
Romantic Life
78
The Four Phases of Romanticism
96
The Modern Ego
115
The Three Revolutions
132
Epilogue Romanticism in 1960
140
RomanticA Sampling of Modern Usage
155
Notes and References
169
Acknowledgments
235
Index
237
Copyright

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Page 171 - Man is only a reed, the weakest in nature, but he is a thinking reed.
Page 173 - I should ; because we are so made, as to be affected at such spectacles with melancholy sentiments upon the unstable condition of mortal prosperity, and the tremendous uncertainty of human greatness ; because in those natural feelings we learn great lessons ; because in events like these our passions instruct our reason...
Page 175 - It is true, indeed, that these animals, which are vulgarly called suits of clothes, or dresses, do according to certain compositions receive different appellations. If one of them be trimmed up with a gold chain, and a red gown, and a white rod, and a great horse, it is called a...
Page 203 - The wiser effort would have been to diffuse thought and imagination through the opaque substance of to-day, and thus to make it a bright transparency; to spiritualize the burden that began to weigh so heavily; to seek, resolutely, the true and indestructible value that lay hidden in the petty and wearisome incidents, and ordinary characters, with which I was now conversant.

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About the author (1961)

Jacques Barzun was born in Créteil, France on November 30, 1907. He came to the United States in 1920 and graduated magna cum laude from Columbia University in 1927. Following graduation, he joined Columbia's faculty as an instructor while continuing his studies in graduate school there, receiving a master's degree in 1928 and a doctorate in French history in 1932. He became a full professor in 1945, was dean of graduate faculties from 1955 to 1958, and dean of faculties from 1958 to 1967. He retired from Columbia University in 1975. He was a historian and cultural critic. The core of his work was the importance of studying history to understand the present and a fundamental respect for intellect. Although he wrote on subjects as diverse as detective fiction and baseball, he was especially known for his many books on music, nineteenth-century romanticism and education. His works include Darwin, Marx and Wagner: Critique of a Heritage; Romanticism and the Modern Ego; The House of Intellect; Race: A Study in Superstition; Simple and Direct: A Rhetoric for Writers; A Stroll with William James; The Culture We Deserve; and From Dawn to Decadence. He died on October 25, 2012 at the age of 104.

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