Classical Myth and Culture in the CinemaMartin M. Winkler Professor of Classics George Mason University Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in ancient Greece and Rome and to films that reflect archetypal features of classical literature. The diversity of content and theoretical stances found in this volume will make it required reading for scholars and students interested in interdisciplinary approaches to text and image. |
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Contents
6 | |
7 | |
17 | |
Young Victor 327 | 31 |
Introduction 3 | 3 |
Zinnemann Fred 8 n 7 122 279 n 17 | 17 |
Narrative Strategy in the Odyssey | 2 |
Michael Cacoyannis and Irene Papas on Greek Tragedy 72 | |
Chinatown 148 | |
9 to 5 as Aristophanic Comedy 172 | |
Ancient Poetics and Eisensteins Films 193 | |
Peter Greenaways The Cook The Thief His Wife | |
The Social Ambience of Petronius Satyricon | |
Star Wars and the Roman Empire 272 | |
Teaching Classical Myth and Confronting Contemporary | |
The Sounds of Cinematic Antiquity 319 | |
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Common terms and phrases
action Aeschylus Albert American ancient antiquity appears approach Aristophanes audience become beginning believe Cacoyannis calls camera characters Chinatown cinema CLASSICAL MYTH close course critical CULTURE death detail directed discussion drama earlier effect Eisenstein Empire especially essay Ethan Euripides example eyes father Fellini figure film film's final force Ford genre Georgina gives Greek Greek tragedy hand hero human images important Iphigenia John killed kind Kujan later lines literature living look means Michael mind narrative nature Odysseus original parallels past play plot Poetics political popular present question reveals Roman Rome Satyricon says scene seems sense sexual shows society stage Star Wars story suggests takes tells Tereus theme tion tradition tragedy tragic truth turn University Press Verbal Wars western wife women York