Classically Speaking: Dialects for Actors : Neutral American, Classical American, Standard British (RP)Classically Speaking offers an approach for American actors who wish to explore sound beyond their habitual speech, fine-tune their ability to hear and identify subtle variations in sounds and dialects, and to develop the flexibility and skills necessary to adjust their speech to the particular demands of a wider range of characters and material. Neutral American Speech (NAS) is the most practical dialect an actor can study. Sometimes referred to as General American, it is spoken without regionalisms that identify an actor's specific point of origin or 'home' sounds. When effectively incorporated, the actor - and therefore the character - is not revealed as explicitly Southern, Mid-Western, or from Boston, New York, Chicago, Tennessee, New Hampshire, Texas, etc. He/she is therefore 'neutral'. The Neutral American section gives special focus to the Rhythm Highlighters, which address general rhythmic issues for well-spoken American English, before delving into the specific spoken sounds of English in detail. Classical American dialect offers an intermediate option between well-pronounced Neutral American and Standard British. It builds upon Neutral American, blending additional rhythmic and sound elements, which result in more formal or heightened speech without sounding British to an American ear. Standard British (RP), the dialect traditionally spoken by the English upper and upper-middle classes, is appropriate for characters in period plays, those of the 19th century authored by Shaw and Wilde, or Restoration playwrights Congreve and Farquhar, among others. It is also beneficial for American actors to know Standard British as a foundation on which to buildtheir study of foreign accents. Many people worldwide who have learned English as a second language have been taught by speakers of Standard British, and this is reflected in their spoken English sounds. |
Contents
INTRODUCTION | 1 |
NEUTRAL AMERICAN SPEECH | 7 |
Consonant Tune | 21 |
ii | 23 |
Twisters Text | 39 |
9 | 49 |
Rhymes Verses | 56 |
Scansion | 93 |
ENHANCED NEUTRAL AMERICAN | 109 |
Rhythm Highlighter Adjustments | 125 |
Shrew | 132 |
Consonant Adjustments RP only | 144 |
Key to Markings on Level 3A SCA Monologues | 174 |
Key to Markings on Level 3B RP Monologues | 180 |
APPENDICES | 187 |
Short list of useful indispensable books | 205 |
Common terms and phrases
actors aĬ aĬ breath Chekhov combinations consonant q consonant sound dialect diphthong diphthong sound diphthongs and triphthongs Enhanced Neutral American father glottal Hamlet Henry honest hwen Ibsen inflection Level linking consonant Linking words lips ma-rried Macbeth marked Merchant of Venice Miss Julie Neutral American Speech Note pause pitch plosive Practice paragraph Practice phrases prefix pronounced pronunciation release Rhythm Highlighters rhythmic Richard II Romeo and Juliet RP practice SCA/RP practice phrases SCA/RP practice sentences SCA/RP practice words schwa Shaw slightly sofa sound changes speaking spelling spoken Standard Classical American stop stop-plosive endings stressed syllable Strindberg strong form Superman symbols teeth Three Sisters Timon of Athens tip of tongue tongue arching tongue placement tongue tip tour triphthongs unstressed verb vocal folds Voiced consonant voiceless consonant vowel sound vowels and diphthongs weak form well-pronounced word endings αυ อนั