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AMERICAN DRAMATIC CRITICISM AT THE CLOSE
PROBLEMS OP MORALITY AND BELIEVABILITY
PROBLEMS OP UNIVERSALITY AND DRAMATIC
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achieve action actors American critics American drama American dramatists American plays American theatre apparently Archer Aristotle artistic attitude audience Augustus Thomas Bookman Brander Matthews Brunetiere characters Clayton Hamilton comedy conflict contemporary drama contrast devices dialogue diction discussion drama dramatic art dramatic criticism dramatic structure dramatist Dunsany Edmond Rostand Edward Sheldon effect element English Essays expression Forum Galsworthy Hamilton believed Hamilton's criticism Hew York human Ibsen idea ilton important interest judgment language literary literature Lord Dunsany melodrama mode of criticism modern moral nature nineteenth century oritio performance Pinero Playmaking playwrights playwriting plot poet poetic drama poetry point of view present principles production prose realistic reason Saroey scene Shakespeare Shaw stage Stanley Houghton Stephen Phillips structure Studies in Stagecraft style suggested technical criticism technical mode technique theatre-going theatrical theory thought tion tragedy truth unity verse well-made play William William Archer William Winter wrote