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Waveland Press, 1996 - Philosophy - 62 pages
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A valuable, new translation of Machiavelliżs marvelous satire! Machiavelli writes in the prologue to Clizia that comedies were invented for the dual purpose of amusing and benefiting the audience. Clizia is no exception. It is a raucous comedy about love that extends to the scandalous, but it also contains a serious teaching about managing passions and relationships. Gallagher provides a lively and readable translation that enables readers to access not only the humor of the play but also makes possible thoughtful study of the playżs more serious themes. His consistent and literal rendering of terms and numerous explanatory notes help readers identify Machiavellian curiosities in the language and understand the playżs many allusions to religious and Renaissance doctrines. Robert Faulknerżs introduction sets the stage for examining the complex work of art that is Clizia. He shows how the play mixes Machiavellian instruction with its wit and scandal, and that the malicious and scoffing humor is part of the instruction. In Clizia, as in the better-known Mandragola, Machiavelli intends reform through comedy. It is a reform that mixes liberation with techniques of management, an eerily contemporary reform of private life that complements Machiavelliżs famous reforms of public life.

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About the author (1996)

Political philosopher, statesman and court advisor Niccolo Machiavelli was born on May 3, 1469 in Florence, Italy. Starting out as a clerk, Machiavelli quickly rose in the ranks because he understood balance of power issues involved in many of his diplomatic missions. Machiavelli's political pursuits quickly ended after he was imprisoned by the Medici family. Machiavelli is best known for "The Prince," his guide to power attainment and cutthroat leadership. He also wrote poetry and plays, including a comedy named "Mandragola." Niccolo Machiavelli died on June 21, 1527 in Florence.

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