Close Reading New Media: Analyzing Electronic Literature
Jan van Looy, Jan Baetens
Leuven University Press, 2003 - Computers - 185 pages
Close Reading New Media is the first publication to apply the method of close analysis to new media.Since the early nineteen-nineties, electronic art and literature have continually gained importance in artistic and academic circles. Significant critical and theoretical attention has been paid to how new media allow the text to break traditional power relations and boundaries. The passive reader becomes an active participant choosing his own path and assembling not just his own interpretation of the text (level of the signified), but also his own text (level of the signifier). Texts no longer have a beginning or an ending, being a web of interlinked nodes. The decentered nature of electronic text empowers and invites the reader to take part in the literary process. Poststructuralist theorists predicted a total liberation of textual restrictions imposed by the medium of print. However, while these are culturally significant claims, little attention has been paid to their realization. The goal of this volume is twofold. Our aim is to shed light on how ideas and theories have been translated into concrete works, and we want to comment on the process of close reading and how it can be applied to electronic literature. While all contributions deal with particular works, their aim is always to provide insight into how electronic fiction and new media can be read.This book proposes close readings of work by Mark Amerika, Darren Aronofsky, M.D. Coverley, Raymond Federman, Shelley Jackson, Rick Pryll, Geoff Ryman and Stephanie Strickland.
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Aarseth aesthetic archive Augusta Baetens become Califia characters clicking crash create critical culture cyberspace Cybertext cyborg-narrator database described digression discourse dream dynamic Eastgate Eating Books electronic book review electronic literature Electronic Literature Organization electronic text environment Ergodic Literature essay experience Federman fiction film Flash Fontanille fragments framework Geoff Ryman Gibbs graphic Greimas Hayles hyperfiction hypertext hypertextual consciousness hypertextual structure identity immersive interactivity interface Internet interpretation journal Kaye language Lies linear literary Literary Machines London London Underground look machine Mark Amerika material meaning medium MEMEX metafictional metaphor Myst narrative narrator navigation novel passengers Patchwork Girl piece poem poetic poetry possible potential reader Requiem Ryman screen segment semiotic signifier space spatial story Strickland 1997 Tabbi textual theory tion True North typography Value-Added Network virtual reality visual words writing