Collected Poems of John Updike, 1953-1993“The idea of verse, of poetry, has always, during forty years spent working primarily in prose, stood at my elbow, as a standing invitation to the highest kind of verbal exercise—the most satisfying, the most archaic, the most elusive of critical control. In hotel rooms and airplanes, on beaches and Sundays, at junctures of personal happiness or its opposite, poetry has comforted me with its hope of permanence, its packaging of flux.” Thus John Updike writes in introducing his Collected Poems. The earliest poems here date from 1953, when Updike was twenty-one, and the last were written after he turned sixty. Almost all of those published in his five previous collections are included, with some revisions. Arranged in chronological order, the poems constitute, as he says, “the thread backside of my life’s fading tapestry.” An ample set of notes at the back of the book discusses some of the hidden threads, and expatiates upon a number of fine points. Nature—tenderly intricate, ruthlessly impervious—is a constant and ambiguous presence in these poems, along with the social observation one would expect in a novelist. No occasion is too modest or too daily to excite metaphysical wonder, or to provoke a lyrical ingenuity of language. Yet even the wittiest of the poems are rooted to the ground of experience and fact. “Seven Odes to Seven Natural Processes” attempt to explicate the physical world with a directness seldom attempted in poetry. Several longer poems—“Leaving Church Early,” “Midpoint”—use autobiography to proclaim the basic strangeness of existence. |
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Collected poems, 1953-1993
User Review - Not Available - Book VerdictIf this collection is any indication, Updike is as prolific a poet as he is a novelist and critic. Nothing--airplane travel, a bug in the sink, a darning egg, a pair of eyeglasses--is too mundane a ... Read full review
Contents
Dream and Reality | |
Dutch Cleanser | |
Rats | |
The Melancholy of Storm Windows | |
Calders Hands | |
The Grief of Cafeterias | |
Spanish Sonnets | |
To Ed Sissman | |
How to Be Uncle Sam | |
3 AM | |
Mobile of Birds | |
Shillington | |
Suburban Madrigal | |
Telephone Poles | |
Mosquito | |
Trees Eat Sunshine | |
Winter Ocean | |
Modiglianis Death Mask | |
Seagulls | |
Seven Stanzas at Easter | |
BWI | |
February 22 | |
West Side | |
Wash | |
Maples in a Spruce Forest | |
Vermont | |
The Solitary Pond | |
Flirt | |
Fever | |
Earthworm | |
OldFashioned Lightning Rod | |
Sunshine on Sandstone | |
The Stunt Flier | |
Calendar | |
The Short Days | |
Boil | |
Widener Library Reading Room | |
Movie House | |
Vibration | |
The Blessing | |
My Children at the Dump | |
The Great Scarf of Birds | |
Azores | |
Erotic Epigrams | |
Hoeing | |
Report of Health | |
Fireworks | |
Lamplight | |
Nuda Natens | |
Postcards from Soviet Cities | |
Camera | |
Roman Portrait Busts | |
Fellatio | |
Décor | |
Poem for a Far Land | |
Late January | |
Dogs Death | |
Home Movies | |
Antigua | |
Amoeba | |
Elm | |
Daughter | |
Eurydice | |
Seal in Nature | |
Air Show | |
Omega | |
The Angels | |
Bath After Sailing | |
Topsfield Fair | |
Pompeii | |
Sand Dollar | |
Washington | |
Dream Objects | |
Midpoint | |
Chloës Poem | |
Minority Report | |
Living with a Wife | |
À lÉcole Berlitz | |
South of the Alps | |
A Bicycle Chain | |
Tossing and Turning | |
On an Island | |
Sunday Rain | |
Marching Through a Novel | |
Night Flight over Ocean | |
Phenomena | |
Wind | |
Sunday | |
Touch of Spring | |
The House Growing | |
Cunts | |
Apologies to Harvard | |
Commencement Pingree School | |
Conversation | |
Melting | |
Query | |
Heading for Nandi | |
Sleepless in Scarsdale | |
Note to the Previous Tenants | |
Pale Bliss | |
Mime | |
Golfers | |
Poisoned in Nassau | |
You Who Swim | |
Sunday in Boston | |
Raining in Magens Bay | |
Leaving Church Early | |
Another Dogs Death | |
Ohio | |
Iowa | |
Waiting Rooms | |
On the Way to Delphi | |
An Oddly Lovely Day Alone | |
Taste | |
Penumbrae | |
Revelation | |
The Shuttle | |
Crab Crack | |
Nature | |
The Moons of Jupiter | |
Upon the Last Day of His FortyNinth Year | |
Planting Trees | |
The Fleckings | |
East HamptonBoston by Air | |
SmallCity People | |
LA | |
Plow Cemetery | |
Spring Song | |
Accumulation | |
Styles of Bloom | |
Natural Question | |
Two Hoppers | |
Two Sonnets Whose Titles Came to Me Simultaneously | |
Long Shadow | |
Aerie | |
The Code | |
Island Sun | |
Pain | |
Sleeping with You | |
Richmond | |
Gradations of Black | |
The Furniture | |
Seven Odes to Seven Natural Processes | |
Switzerland | |
Munich | |
A Pear like a Potato | |
Airport | |
From Above | |
Oxford Thirty Years After | |
Somewhere | |
Sonnet to ManMade Grandeur | |
Klimt and Schiele Confront the Cunt | |
Returning Native | |
Snowdrops 1987 | |
Goodbye Göteborg | |
Hot Water | |
Squirrels Mating | |
Sails on All Saints Day | |
Tulsa | |
Tourist View | |
Back Bay | |
In Memoriam Felis Felis | |
Enemies of a House | |
Orthodontia | |
Condo Moon | |
Pillow | |
Seattle Uplift | |
The Beautiful Bowel Movement | |
Charleston | |
Frost | |
To a Box Turtle | |
Each Summers Swallows | |
Fargo | |
Fall | |
The Millipede | |
Generic College | |
Perfection Wasted | |
Working Outdoors in Winter | |
Indianapolis | |
Zoo Bats | |
Landing in the Rain at La Guardia | |
Mouse Sex | |
Granite | |
Relatives | |
Thin Air | |
November | |
Light Switches | |
Miami | |
Fly | |
Flurry | |
Bindweed | |
July | |
To a Dead Flame | |
Back from Vacation | |
Literary Dublin | |
Elderly Sex | |
Celery | |
São Paulo | |
Rio de Janeiro | |
Brazil | |
Upon Looking into Sylvia Plaths Letters Home | |
At the End of the Rainbow | |
Academy | |
LIGHT VERSE | |
Notes | |
A Note About the Author | |
Books by John Updike | |
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Common terms and phrases
Agatha Christie ANTISTROPHE Beatrix Potter beautiful beneath birds blue bones Boston breath brown burning called clouds color crack cunt dark dead Dog’s Death dream dull earth eyes face fall feet Felis flecked gaze Gérard Depardieu giant girl glass Graeae grass gray green Gulltopr hair hand head heart hills hoopoe Island John Updike land leaves legs life’s lifted light verse living look Magens Bay man’s mirror moon mother mouth Naked Ape Neoteny never night Ocean one’s pale Pingree School Player Piano poem rain seemed shadow Shillington Sin City skin sleep smile snow soft stanza stare stars stone Street summer taste teeth tell things thought Time’s tint trees turn Upperville Villanelle Voyager II walk wall warm wife wind window wood Yorker young