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The Importance of a ColorNaming System
The Physical Light Primaries
4 other sections not shown
absorb aesthetic afterimage Albert Munsell apparent appreciation areas of color artists become black and white blue and green blue-green blue-purple camera central fovea certainly chromatic color changes color circle color relationships color sensations color vision colors red complementary colors cool dark darker dimensional disc distinction effect electromagnetic spectrum elements experience filter gradations gray hueless hues illumination instance Jatte kind lens less intense lighter lightwaves lines look magenta means mixed mixture name colors natural light natural order Nevertheless object optical optical art painting perceived perception photopic physical pigment primaries plementary primary colors psychological purple react reason receptors red and blue red circle red-purple reflect response retina rods and cones scotopic vision Seurat simultaneous contrast spectral structural sense subtractive sunlight tints and shades value and intensity value scale variables varying viewer visible spectrum visual arts visual perception warm wavelengths white light yellow yellow-green yellow-red Young-Helmholtz theory