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THE APPREHENSION OF COLOUR
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adaptation addition of white aesthetic architecture associated basic birds blue brain bright characteristic chromatic colour and texture colour range colour vision complementary complex consciousness costume creative crystalline lens dark decoration Desmond Morris dimensions of colour dyes effect Ektachrome emotional Enid Verity environment function of colour glass graphic expression green hot brown hues Illustrations courtesy imagery instance Kodak Kodak Ektachrome film landscape means mental MIIIIMI monochromatic Munsell neutral grey object and field oppositepage orange Ostwald paintings pattern and design Perception of Colour phenomena physical physiological pigment plate PlatG play activity primaries primitive art psychological pure purple range of colour recognised reflected refraction relationship representational art response retina revealed saturation sensation shape Simultaneous Contrast spectral colours St Mark's Cathedral structure subtractive surface synthetic taken on Kodak three dimensions Three-dimensional Colour tone value vary visual apprehension visual perception weaving white light yellow young children