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Contemporary society and a new view of colour
the eye the lens the prism
premises and format of the Munsell and Ostwald systems
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Ad Reinhardt American Art artists Billy Apple blue bright colours bright green century Chevreul Chryssa colour choice colour effects colour in art colour notation colour preferences colour styling colour symbolism colour theory coloured environment coloured lights cones contrast conventional create day-glo Delacroix designer differ in colour different colour divisionist French lmpressionists function Georges Seurat glass Goethe Gogh greys Henri Matisse individualized colour John Ferren Jules Olitski Larry Poons lens Leonardo da Vinci lndians Matisse metallic mixed Modern Art Museum of American Museum of Modern nature of light neon Oil on canvas orange painter painting palette permanent green light Photo courtesy pigments primary prism purple range of colour relationships retina sculpture secondary colours Seurat spectral colours spectrum study of colour suggested systems of colour traditional type of colour Vincent Van Gogh violet vision visual wave theory Whitney Museum yellow Yezidi York